Recently published

• Article | Matthieu REBOUL | 14.06.13 | 16:29

  Aussie film industry seeks to resurface with 20,000 Leagues Under the Sea

  
  [NEWS] Australia is having trouble attracting foreign film shoots due to the strength of its dollar – a situation that the government is seeking to remedy using extraordinary measures.
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• Article | Kevin PICCIAU | 30.05.13 | 19:00

  Spanish cinema will be international, or will cease to be

  
  [NEWS] Between subsidy cuts and absentee audiences, banking on foreign markets is becoming essential to survival for Spanish producers.
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• Article | Arnaud MIQUEL | 30.05.13 | 18:56

  DreamWorks Animation, the digital transformation

  
   [NEWS] To escape the vagaries of the international box office, DreamWorks Animation is diversifying its activities, banking on digital technologies with the purchase of YouTube channel AwesomenessTV and the production of an animated series for Netflix.
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• Article | Karl DEMYTTENAERE | 30.05.13 | 18:52

  Russian cinema cuts ties with other countries

  
    [NEWS] Since January 2013, public policies supporting the Russian film industry have witnessed unprecedented upheaval, from the cancellation of international partnerships to the dismissal of the head of the Kino Fund. Here’s a recap of the current situation for the seventh art in Russia.
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• Article | Karl DEMYTTENAERE | 20.05.13 | 11:49

  The end for Hollywood’s reign over Polish screens

  
  [NEWS] In April 2013, Polish spectators rushed to movie theatres for screenings of domestic productions. Has local cinema won over audiences once and for all, or is this merely a trend?
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• Article | Karl DEMYTTENAERE | 07.05.13 | 09:24

  3D cinema takes off in emerging countries

  
  [NEWS] Despite occasional hits, S3D cinema is struggling for success in European and North American movie theatres, whereas in emerging countries such as China and Russia, it’s winning over vast audiences.
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• Article | Kevin PICCIAU | 07.05.13 | 09:19

  Where to for Argentina’s independent cinema?

  
  [NEWS] Despite 2011 measures promoting domestic cinema in theatres, the BAFICI seems to be the only showcase – albeit limited – featuring Argentine films. Has the festival’s 15th anniversary heralded a new era?
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• Article | Nicolas VAQUIER | 08.04.13 | 16:22

  Digization, sole growth engine for Europe's creative industries?

  
  [NEWS] According to a recently published study entitled The Digital Future of Creative U.K., digitization is the sole growth engine for Europe’s creative industries.
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• Article | Maria MASOOD | 08.04.13 | 17:34

  Fespaco, essential, and yet fragile

  The pan-African festival of cinema and television (FESPACO) came into being in 1969, in Ouagadougou, and has succeeded in becoming a major event; but it is having difficulty bringing its objectives for African cinema to fruition.
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• Article | Kevin PICCIAU | 02.04.13 | 17:32

  South African film industry bound for success

  [NEWS] Over the past decade, South Africa has been successfully developing a number of weapons to attract foreign productions – and local films seem to be riding the wave as well.
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